American (born 1961)
Zen Vision, November 2016
In honor of Jim Richerson, former CEO of Lakeview Museum of Arts and Sciences and the Peoria Riverfront Museum by the Friends of Jim Richerson and Judy Lee 2016.8
Nationally acclaimed local sculptor, Fisher Stolz, trained at the University of Georgia and abroad in Cortona, Italy. His works in stone, steel and cast metals can be seen in Chicago, Peoria, and on campuses across the country. He was commissioned to create Zen Vision in 2016 by the Friends of Jim Richerson and Judy Lee. The dynamically curving legs circling and supporting the spherical focus point in this work represent the multiple community groups that came together under Richerson's leadership in order to build the Peoria Riverfront Museum. Fisher Stolz is a Professor of Sculpture at Bradley University and maintains a studio in Washington Illinois.
Fountain Group, designed 1937-1938, cast 2013
Gift of Ramona H. Gibbs in memory of her parents, T. Harrison and Maurine Montgomery Gibbs, with the support of Dr. William H. and Nancy Marshall 2013.31
Gibbs, son of an artist and author, received a classical training in Philadelphia and Rome. He created the plaster model for this fountain as a Prix de Rome Fellow, but died on a battlefield in France before it could be cast. His daughter had it finished for installation at the Riverfront Museum. He created an impressive body of work in his short career, including a WPA-era commission for a Maryland post office building.
The classical symbols of water life that comprise the fountain are presented in a modern, dynamic composition that invites the viewer to examine the work from multiple perspectives. The sound of the water adds yet another dimension to the piece.
American (born 1927)
Recumbent Knight, 1979
Bequest of William S. Block 2014.5
Sunderland was Professor of Art at Bradley University from 1956 to 1988 and owned a sculpture restoration business. Although committed to her role as a teacher, Sunderland's passion has been to convey her experience of life through stone, metal and wood.
Sunderland graduated from Bradley University with a degree in ceramics. She began her career when females generally were excluded from the field of sculpture, in part because they were not considered strong enough to wield the heavy materials and tools used by stone and metal workers. Sunderland always was involved fully with the creation of her works from conception to installation.
Sphere One, 1986
Given in memory of the artist by his parents, Blossom and Jay Shaw 2003.12
Shaw was a sculptor and photographer. He drew inspiration almost entirely from nature, celebrating the plants and animals that share the planet with humans as well as the “endless structural and architectural aspects of our world.” Sphere One is an example of the latter. The dual tetrahedron inside a sphere composed of patterned bars within a larger sphere opened up with “cut outs” was cast as a single piece of brass within a hand-carved mold made of very fine sand hardened with epoxy.
American (born 1942)
Museum purchase with support from the Illinois Arts Council 1985.16.2
Chicago-based artist Barry Tinsley is concerned with shape and space. He creates sculptures that are spontaneous and whose volume appears to be irrational. In walking around them, the viewer sees space transformed and the relationships among the internal forms constantly changing. "Delos" balances numerous geometric shapes, one against the other, creating an interrelationship of forms that unifies the sculpture.
Delos is characteristic of Tinsley’s earlier works that appear to be cut from thick sheets of metal, twisted into dynamic shapes and balanced on long legs. It is small in comparison with many of Tinsley's works, which can be as long as 50' and as tall as 14'. See also Peoria Portal.
American, (born 1948)
Gift of Mel and Roz Regal 2007.4
Over the course of his career, Raimondi has produced more than 75 monumental works of art, displayed throughout the world. He studied at the Massachusetts College of Art, where he created his first monumental works. In 1973, he won a national competition to be part of the I-80 Bicentennial Sculpture Project.
Dian is a tribute to American zoologist Dian Fossey (1932-1985), who spent many years studying eight gorilla groups in Rwanda. Raimondi, an ardent conservationist, often finds inspiration for his work in nature. The arc behind the twisting upright figure represents the moon, a reference to the mythological goddess Diana, goddess of the hunt and moon. The highly reflective surface gives the sculpture an ever-changing relationship with its setting.
American (born 1948)
Dorado VII, circa 1975
stainless steel, copper
Gift of Mel and Roz Regal 2007.49
A native of Minnesota, Slater moved to Arizona in 1971, where he earned his Master of Fine Art degree from Arizona State University. Working with stainless steel, copper, bronze and combinations of metals and finishes, he has created more than 500 sculptures in his career.
Slater’s interest in combining geometric stainless steel shapes with free-formed hand textured copper is evident in "Dorado VII." The term dorado (dolphinfish in Spanish) refers to a constellation in the Southern Hemisphere, notable for containing the Large Magellanic Cloud.
American (born 1935)
Active Hybrid, 1984
Given in memory of Inette Goldstein, a loyal Museum supporter, by her friends with a matching grant from the Illinois Art Council 1984.35
Hunt employs centralizing themes from nature and the human condition. Active Hybrid suggests a sense of growth and vitality with its emerging forms. Hunt has exhibited at several renowned museums including the Museum of Modern Art in New York City.
Based in Chicago, Hunt is recognized nationally and internationally for his mastery of the medium of welded steel. He is considered one of the most gifted contemporary artists working directly with metal anywhere in the world. He studied at School of the Art Institute (Chicago), as well as in England, France, Spain and Italy.
Hunt specializes in outdoor public sculptures. His works are comprised of angular and curved volumes that suggest movement and emotion while they create a relationship with the landscape in which they are situated. They are abstract yet seem to suggest certain natural forms and references; they are organic and evolutionary. He has said "…it is my intention to develop the kind of forms nature might create if only heat and steel were available to her."
American (born 1927)
Ruins I, 1995
limestone and bronze
Gift to the Museum by Dr. and Mrs. George Kottemann 1997.44
Sunderland's passion is to convey her experience of life through stone, metal and wood. Human forms suggestive of ancient and medieval figures dominate Sunderland's works. They have a majestic yet poetic presence. Ruins I and related works in the series combine broken stone columns with dark, bronze figures in an architectural environment, creating a serene tableau of classical ruins.
American (born 1933)
Pop Up, 1985
Gift of Mrs. Adelaide Cooley 1987.12
White’s work has been described as an elegant union of ancient symbolism and contemporary science. He works predominantly in stainless steel and aluminum, although he also uses bronze and granite. White starts each work by manipulating paper or a thin sheet of metal to generate a “surprise” solution that can only be fully realized in three dimensions; he then pursues the idea on a larger scale. This sculpture lives up to its title, "Pop Up." with the brightly colored projection rising above its green curved pattern.
American (born 1942)
Peoria Portal, 1989
granite, stainless steel, bronze
Gift of Harriett and Eugene Swager 1989.10.1
In this work the artist combines elements of classical and modern architectural motifs using a natural material—granite—with a man-made one—steel. The relationship between architecture and the environment is important to Tinsley, as is establishing a relationship between his works and the space around them.
Mrs. Swager and her daughters commissioned "Peoria Portal" as a birthday surprise for her husband, an active architect at the time Tinsley created the sculpture, always intending to dedicate it to the Peoria community by donating it to the Museum.
American (born 1936)
Champayne #4, 1967
Gift of Dr. and Mrs. Lester Knorr 1971.10
An example of a meandering biomorphic shape, this work was formerly located at Glen Oak Park Conservatory. Henderson was on the University of Illinois faculty from 1965 to 1967. He recently retired from teaching sculpture at Mount Allison University in News Brunswick.This work is made of Cor-Ten steel, a material developed in the 20th century to obviate the need for painting because it formed a stable rust-like appearance when exposed to weather. It has been used by many sculptors and by architects for building exteriors.
Swiss (born 1928)
Embryonoire, Nero Atlantide, circa 1985
Gift of Sara Lee Corporation 1989.9
Poncet descended from several artists of note, including his grandfather, painter Maurice Denis. His mentors included sculptors Jean Arp and Germaine Richier. Poncet seems to have been most heavily influenced by Arp, a founder of the Dada and Surrealist movements in France, who explored abstract organic forms in his art. Poncet was the only student Arp ever accepted.
Curving, asymmetrically balanced shapes, sometimes with clefts or holes cut into them, characterize Poncet’s style. He maintains studios in Paris and in Carrara, Italy (famous for it’s marble quarry). His sculptures can be found in a number of corporate collections and public art museums. Embryonoire, Nero Atlantide, made of Carrara marble, was one of 18 sculptures commissioned from Poncet by Nathan Cummings, former chair of the Sara Lee Corporation in Chicago.